Oh how I wish life was as exciting as the 1st time Lily experienced London and riding the Underground.
These days many of us are doing our part to flatten the curve and remain healthy. I started this painting last Sunday and hope to have it finished this weekend. I’m only able to be in the studio once a week since I’m working from home for my day job.
I ordered a few new colors and hope they arrive soon. I think this painting would benefit from some diversity in colors.
Any way, this is part of a series I’ve named “A girl…”. It’s part of a mother and daughter collaboration with my artist daughter Lily. She’s busy with college still but has completed a couple of paintings so far.
Being in my studio and allowing myself to experience Awiya, creativity to flow through my being is my souls center. It is where I am most connected with myself. It is where my connection to the world around me is clearest. It’s not an escape from reality, on the contrary, it is a space where I am open, clear, vulnerable and honest with myself. It’s where I allow thoughts to flow by and simply acknowledge their presence without holding any of them. In many ways it is similar to an active meditation.
It is my hope, that in these difficult times, that many of you experience Awiya for the 1st time and create into this world some beauty.
Stay safe my friends and be well. until next time, stay in the Awiya side of life.
I was recently listening to a guest speaker at a gathering. One of the main ideas that was conveyed included framing the constant process of change. That idea really hit me deep. I am always in awe of the synchronicity of hearing what I need to hear to support me win my growth. Since I broke my wrist in late May, it has been a struggle to heal and regain full use of my hand. However, I do in some ways and I do not in other ways have use of my hand. While contemplating the idea of transformation as a continuous process of change, I began to slowly accept and embrace that my painting style and the physical process of creation will never be the same. Yet, the internal process of Awiya, the settling of the spirit within to allow creativity to flow.
I’m currently working on another seascape from the North Sea at Whitby Harbor.
I spent a considerable amount of time on this large piece. After more than 50 hours, numerous brushes & different shapes of painting knives the vibrancy and inviting feel of this piece calls you to the shores of the North Sea.
Now that I’ve had a chance to go through the majority of my photos from my U.K. Trip I’m settling in to exploring the images in greater depth. I’ve seen some artist grab a reference photo and as if in robot mode paint the image in expected color combination and with a boring palette. The end result may be “technically” in vogue and aesthetically pleasing but does it have passion? Life? Awiya?
As I explore this reference photo of the North Sea I am flooded with memories of how the cool and moist wind felt on my skin. The brilliance of color and how different the light bathed everything. The sea was a blue grey color I’ve never seen in real life. As I explored the North Sea from the beach, on a boat and walking along the peer at different times of day, the suns light changed the appearance of the sea from blue-grey to light pale blue, silver, and liquid gold floating on a silver surface.
Living in Nebraska, relatively in the middle of the country, I have grown accustomed to the orange, red and dark yellow sunsets. The coloring of Midwest light from the dust, pollution, and heat within the atmosphere of a heavy agricultural state.
I will enjoy every moment as I explore this reference photo, unedited, edited and diving deep into my memory and allow Awiya to flow through me as I prepare for a series of North Sea paintings.