So I spent about a half an hour writing a blog post about this latest painting. Unfortunately when I pressed publish it disappeared. I have no idea where it went and I was like darn it that was a great blog post if I do say so myself.
Here I go again. A couple of years ago when my daughter Lily graduated from high school and at her graduation party we created a photo booth that included a handheld Polaroid style type frame made out of white eraser board. Guests could group together and write on the bottom with dry eraser markers on the bottom of the Polaroid goofy, cheesy, wise sayings or hashtags or the what not and then hold the frame up and then take a picture.
Well one of the pictures that was taken is represented in this painting. When it was taken I thought it was cute but it wasn’t until I saw the picture a few days later that it really spoke to me on so many levels.
First, this picture immediately reminded me of American Gothic painting by Grant Wood. It is said that Grant Wood in the 1930s went back to Iowa where he was from and saw an old farmhouse. He was inspired and wanted to do a satirical painting about the architecture of an old Iowa farm house. He titled the painting of the old farm house & its farmer & wife “American Gothic” as in reference to the lack of Gothic style architecture and it being the Midwest’s version. It’s further written that he utilized his sister and his dentist as models for this painting.
So now this is my version of a satirical painting of what I envision of a young Generation Z couple would look like on the World Wide Web posting on different social media sites, sharing their selfie’s.
This is a portrait of my daughter Lily (Oriana Designs) & a classmate at her graduation a couple of years ago. It reminded me of America Gothic by Grant Wood. However, in this modern rendition, the couple is holding a Polaroid style photo frame, in classic Generation Z (or Zed) style selfie posing. The bottom of the frame will have the Hash tag #American Zed.
My style of painting with acrylics is likened to water colors. However, the paint fluctuates in thickness. Through thin layers of color applied on top of each other, I get a hybrid color. Instead of a solid mixed tone or color and blob it on. It’s a bit more time consuming, but the effect is visually dynamic. This is stage 3 layers of thin colors… cadmium red, medium yellow hue, Payne’s grey, and white.
Hope to have time to paint in the studio this Sunday… my sanctuary time… I am very excited about this painting.
Now that I’ve had a chance to go through the majority of my photos from my U.K. Trip I’m settling in to exploring the images in greater depth. I’ve seen some artist grab a reference photo and as if in robot mode paint the image in expected color combination and with a boring palette. The end result may be “technically” in vogue and aesthetically pleasing but does it have passion? Life? Awiya?
As I explore this reference photo of the North Sea I am flooded with memories of how the cool and moist wind felt on my skin. The brilliance of color and how different the light bathed everything. The sea was a blue grey color I’ve never seen in real life. As I explored the North Sea from the beach, on a boat and walking along the peer at different times of day, the suns light changed the appearance of the sea from blue-grey to light pale blue, silver, and liquid gold floating on a silver surface.
Living in Nebraska, relatively in the middle of the country, I have grown accustomed to the orange, red and dark yellow sunsets. The coloring of Midwest light from the dust, pollution, and heat within the atmosphere of a heavy agricultural state.
I will enjoy every moment as I explore this reference photo, unedited, edited and diving deep into my memory and allow Awiya to flow through me as I prepare for a series of North Sea paintings.